Introduction
Once upon a time …
in Romantic narratives in international politics
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

The introduction outlines the overall argument of the book that narratives in international politics cannot be freely changed or manipulated by narrators, but that narratives have to conform or at least connect to previously existing ones. The acceptance of narratives is contingent on the intertextuality of the narratives being told and those embedded amongst the audience. The introduction briefly embeds narrative analysis in a wider field of discursive approaches in IR, and then elaborates on the role of the media and cultural artefacts in the articulation of stories in international politics. Finally, the introduction outlines the structure of what is to follow in the remaining empirical chapters on German narratives of pirates in Somalia, British narratives of rebels in Libya and US narratives of private military and security companies in Iraq.

Romantic narratives in international politics

Pirates, rebels and mercenaries

INFORMATION
TABLE OF CONTENTS
METRICS

Metrics

All Time Past Year Past 30 Days
Abstract Views 43 26 0
Full Text Views 30 7 0
PDF Downloads 21 15 0
RELATED CONTENT