Once upon a time …
in Romantic narratives in international politics
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The introduction outlines the overall argument of the book that narratives in international politics cannot be freely changed or manipulated by narrators, but that narratives have to conform or at least connect to previously existing ones. The acceptance of narratives is contingent on the intertextuality of the narratives being told and those embedded amongst the audience. The introduction briefly embeds narrative analysis in a wider field of discursive approaches in IR, and then elaborates on the role of the media and cultural artefacts in the articulation of stories in international politics. Finally, the introduction outlines the structure of what is to follow in the remaining empirical chapters on German narratives of pirates in Somalia, British narratives of rebels in Libya and US narratives of private military and security companies in Iraq.

Romantic narratives in international politics

Pirates, rebels and mercenaries


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