Naomi Booth
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A poetics of passing out
in Swoon
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This chapter argues that the swoon has had a crucial place in literature in English for the last millennia. Swoons occur in narratives at moments of high emotional intensity: they often dramatise ecstasy and grief. Swooning can indicate a profound disturbance of the human body’s balance, in literal fashion, and this introduction argues that swoons are presented in literature to be read and interpreted; and are often used by writers to explore bodily experiences that disturb or challenge dominant narratives of health. The swoon is explored as an event of the body that always also calls for the practice of hermeneutics: it is a ‘somatic testimony’, in the sense that Mary Ann O’Farrell suggests of literary blushing. Swoons are intimately connected to explorations of sickness and of dying; they cluster in narratives that are preoccupied with femininity and queer sexuality; and can be unsettling indicators of political instability (the swooning body as metonym of the body politic in disarray). A literary history of swooning is therefore also a history of crux points for how we have imagined the body, and in particular for evolving ideas of health, gender, sexuality and race. This chapter examines the ubiquity of falling and swooning as indices of high aesthetic response, from classical religious iconography to contemporary literary theory, and suggests a new basis for understanding the aesthetic through non-normative accounts of the body.

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A poetics of passing out


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