Naomi Booth
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‘Fall’n into a pit of ink’
Shakespearean swoons and unreadable body-texts
in Swoon
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The swooning Shakespearean body is mired in expressive crisis. The Shakespearean swoons that are brought into focus in this chapter are abyssal: they stage a fall into the dark depths of a body that is inaccessible to the modes of ‘reading’ attempted by other characters in the plays. This chapter examines pivotal swoons in Much Ado About Nothing (1598), Julius Caesar (c.1599) and Othello (1604), because these are plays in which bodies are explicitly presented as texts to be read and deciphered – and swooning reveals such processes of reading to be complex, fraught and/or tragically flawed. Each of these swoons occurs when the body cannot be parsed through the signifying systems available within the world of the play: when the systems by which bodies mean something – according to humoral theories of the body and/as character, or via narratives of differentiation according to sex and race and religion, for example – break down under pressure.

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A poetics of passing out


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