Michael D. Friedman
Search for other papers by Michael D. Friedman in
Current site
Google Scholar
PubMed
Close
and
Alan Dessen
Search for other papers by Alan Dessen in
Current site
Google Scholar
PubMed
Close
Jeannette Lambermont, Daniel Mesguich, and Michael Maggio
Abstract only
Log-in for full text

Emulating a more distant predecessor, Jeannette Lambermont and Daniel Mesguich modelled their productions on the stylised efforts of Peter Brook, while Michael Maggio cautiously imitated the realistic presentation of Jane Howell's BBC-TV version. Brook's most memorable choice in his stylisation of the violent action in Titus Andronicus was to employ scarlet ribbons in place of blood, a technique he adapted from Asian theatre. Gerald Freedman's New York Shakespeare Festival production borrowed the same strategy and made the Asian connection explicit by using costumes that '"recreated an unknown people of a non-specific time" with elements of "Roman-Byzantine and feudal Japanese"'. Director Jeannette Lambermont, in her Stratford, Ontario production, pursued a similar strategy by mixing ancient Roman design with colourful and ritualistic aspects of Eastern theatre. Lambermont's production employed several features borrowed from traditional Japanese theatrical forms.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

Metrics

All Time Past Year Past 30 Days
Abstract Views 265 135 26
Full Text Views 100 19 0
PDF Downloads 32 8 0