The Undead in the kingdom of shadows
The rise of the cinematic vampire
in Open Graves, Open Minds
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

In 1896, Maxim Gorky described the experience of watching the newly invented cinematograph as entering 'the Kingdom of Shadows'. This chapter demonstrates that Dracula underwent a process of experimentation wherein vampire imagery was used across a wide range of genres and to convey diverse meanings before it became consolidated into a recognised horror formula. It considers how the reimagining of the vampire through the technological language of cinema also serves both to celebrate modernity and to bring the vampire 'up-to-date with a vengeance'. The ambivalence towards modernity embodied in the vamp continued to be a key component of the cinematic vampire as the genre developed beyond pure metaphor. In it, the vamp is presented as vampire-like and into a genre about vampires, drawing upon nineteenth-century precursors.

Open Graves, Open Minds

Representations of Vampires and the Undead from the Enlightenment to the Present Day

Editors: Sam George and Bill Hughes
INFORMATION
TABLE OF CONTENTS
METRICS

Metrics

All Time Past Year Past 30 Days
Abstract Views 118 46 2
Full Text Views 54 23 2
PDF Downloads 14 6 1
RELATED CONTENT