Introduction
in Gothic kinship
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This introduction situates the volume within the existing academic literature on gothic and family relations, and introduces the guiding research questions. Within Gothic studies, the central role of kinship relations has been acknowledged but it has seldom been studied as a topic in itself; within disciplines that study kinship, such as anthropology or history, the attention for Gothic has been lacking. Starting from the assumption that Gothic fiction is a key site where sociocultural figurations of the family are negotiated, this volume aims to analyze how Gothic figurations of kinship both contest and reinforce orthodox notions of the nuclear family. The chapters address such questions as: how does Gothic fiction mediate the ways in which the family is understood, both as a shifting constellation of social and personal ties and as a powerful regulatory ideal; how does Gothic fiction configure, refigure or disfigure conceptualizations and representations of kinship; when do cultural figurations of kinship become Gothic?

Editors: Agnes Andeweg and Sue Zlosnik
INFORMATION
TABLE OF CONTENTS
METRICS

Metrics

All Time Past Year Past 30 Days
Abstract Views 32 24 5
Full Text Views 19 11 1
PDF Downloads 15 12 1
RELATED CONTENT