Framing the moron

This book reviews the burial history of central North Yorkshire. In exploring the social history of burial in rural areas, the book aims to encompass some of the principles underpinning 'l'histoire des mentalites'. The book considers the issue of churchyard closure. Churchyard closure generally signalled that burial space was made available elsewhere, and in most cases before 1894 this meant that the churchyard itself had been extended. The book reviews the incidence of churchyard extension, which was commonplace during the nineteenth century. The Burial Acts introduced legislation that permitted vestries to establish burial boards, which could raise loans repayable through the rates to fund the laying out of new cemeteries. In central North Riding, a total of eighteen burial boards were in operation before 1894, and the book reviews in detail the operation of the ten largest boards in that group. The Burial Acts maintained and even strengthened the hold of the Church of England on burial space, by substantially increasing the amount of consecrated land under its control. The book also addresses the contention that the new legislative context for burial in the twentieth century might then introduce the opportunity for a substantial centralisation of burial provision. Finally, the book reviews the pattern of burial provision in 2007 compared with 1850, and concludes that there is evidence of both continuity and change.

The debate on the polity of the church was at the centre of the religious debates in the British Atlantic world during the middle decades of the seventeenth-century. From the Covenanter revolution in Scotland, to the congregationalism of the New England colonies, to the protracted debates of the Westminster assembly, and the abolition of the centuries-old episcopalian structure of the Church of England, the issue of the polity of the church was intertwined with the political questions of the period. This book collects together essays focusing on the conjunction of church polity and politics in the middle years of the seventeenth century. A number of chapters in the volume address the questions and conflicts arising out of the period’s reopening and rethinking of the Reformation settlement of church and state. In addition, the interplay between the localities and the various Westminster administrations of the era are explored in a number of chapters. Beyond these discussions, chapters in the volume explore the deeper ecclesiological thinking of the period, examining the nature of the polity of the church and its relationship to society at large. The book also covers the issues of liberty of conscience and how religious suffering contributed to a sense of what the true church was in the midst of revolutionary political upheaval. This volume asserts the fundamental connection between church polity and politics in the revolutions that affected the seventeenth-century British Atlantic world.

Popular dance in Britain fundamentally transformed in the early 1920s. This book explores the development, experience and cultural representation of popular dance in Britain during the first half of the twentieth century. The specific focus is on two distinct yet occasionally overlapping commercial producers: the dance profession and the dance hall industry. The strong foreign, and increasingly American, influences on dancing directly connected this cultural form with questions about the autonomy and identity of the British nation. The book uses dancing as a lens through which to better understand broader historical processes of popular cultural production and consumption, and national identity construction. The first part of the book focuses on the efforts of dancing's producers to construct a standardised style and experience for British dancing, and the response to those efforts by consumers. These interactions determined which dances would find success in Britain, and how and where they would be performed. The second part demonstrates how these interactions between dancing's producers and consumers constructed, circulated, embodied, but also commodified, ideologies of gender, class, race and nation. The dance profession transformed the steps and figures of foreign dances like the foxtrot and tango into what became known as the 'English style' of ballroom dancing. The dance hall industry launched a series of novelty dances, such as the Lambeth Walk, that were celebrated for their British origins and character, and marketed the wartime dance floor as a site of patriotism and resistance.