Rebecca Munford
Search for other papers by Rebecca Munford in
Current site
Google Scholar
Angela Carter and European Gothic
Abstract only
Log-in for full text

Angela Carter's writing is fascinated by the macabre and the erotic, the dissolute and the grotesque. The author's analysis of European Gothic's topographical and representational territories engages with aspects of French feminist theory, in particular the work of Luce Irigaray and Julia Kristeva, that operate in this field of Gothic signification. Vampiric, menacing and sly, they are conspicuously Gothic creations, built, like Frankenstein's creature, from the dusty vestiges of previous literary and cultural forms. The male bloodline of European Gothic evinces a macabre fascination with the monstrous mother. Feminist criticism has re-inscribed the mother-daughter relationship in the female Gothic, often codifying the Gothic heroine's journey of self-discovery within the labyrinthine spaces of the Gothic castle as an encounter with a spectral maternal presence.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.


Decadent Daughters and Monstrous Mothers

Angela Carter and European Gothic


All Time Past Year Past 30 Days
Abstract Views 265 49 13
Full Text Views 121 2 0
PDF Downloads 101 2 0