Churchyard and cemetery

Many people are shocked upon discovering that tens of thousands of innocent persons in the United States were involuntarily sterilized, forced into institutions, and otherwise maltreated within the course of the eugenic movement (1900–30). Such social control efforts are easier to understand when we consider the variety of dehumanizing and fear-inducing rhetoric propagandists invoke to frame their potential victims. This book details the major rhetorical themes employed within the context of eugenic propaganda, drawing largely on original sources of the period. Early in the twentieth century the term “moron” was developed to describe the primary targets of eugenic control. This book demonstrates how the image of moronity in the United States was shaped by eugenicists.

This book will be of interest not only to disability and eugenic scholars and historians, but to anyone who wants to explore the means by which pejorative metaphors are utilized to support social control efforts against vulnerable community groups.

The debate on the polity of the church was at the centre of the religious debates in the British Atlantic world during the middle decades of the seventeenth-century. From the Covenanter revolution in Scotland, to the congregationalism of the New England colonies, to the protracted debates of the Westminster assembly, and the abolition of the centuries-old episcopalian structure of the Church of England, the issue of the polity of the church was intertwined with the political questions of the period. This book collects together essays focusing on the conjunction of church polity and politics in the middle years of the seventeenth century. A number of chapters in the volume address the questions and conflicts arising out of the period’s reopening and rethinking of the Reformation settlement of church and state. In addition, the interplay between the localities and the various Westminster administrations of the era are explored in a number of chapters. Beyond these discussions, chapters in the volume explore the deeper ecclesiological thinking of the period, examining the nature of the polity of the church and its relationship to society at large. The book also covers the issues of liberty of conscience and how religious suffering contributed to a sense of what the true church was in the midst of revolutionary political upheaval. This volume asserts the fundamental connection between church polity and politics in the revolutions that affected the seventeenth-century British Atlantic world.

Popular dance in Britain fundamentally transformed in the early 1920s. This book explores the development, experience and cultural representation of popular dance in Britain during the first half of the twentieth century. The specific focus is on two distinct yet occasionally overlapping commercial producers: the dance profession and the dance hall industry. The strong foreign, and increasingly American, influences on dancing directly connected this cultural form with questions about the autonomy and identity of the British nation. The book uses dancing as a lens through which to better understand broader historical processes of popular cultural production and consumption, and national identity construction. The first part of the book focuses on the efforts of dancing's producers to construct a standardised style and experience for British dancing, and the response to those efforts by consumers. These interactions determined which dances would find success in Britain, and how and where they would be performed. The second part demonstrates how these interactions between dancing's producers and consumers constructed, circulated, embodied, but also commodified, ideologies of gender, class, race and nation. The dance profession transformed the steps and figures of foreign dances like the foxtrot and tango into what became known as the 'English style' of ballroom dancing. The dance hall industry launched a series of novelty dances, such as the Lambeth Walk, that were celebrated for their British origins and character, and marketed the wartime dance floor as a site of patriotism and resistance.