The sounds of liberty
in Sounds of liberty
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

The sounds of liberty during the long nineteenth century offer much for the student of popular politics across an inter-colonial and transnational world. For the student of radicalism and reform in the Anglophone world the early twenty-first century bipartisan construction can be seen as part of a continuum that is very helpful when seeking to understand the ground rules of British politics during the long nineteenth century. The book examines songs and looks at the place of music in the public sphere wherein people (individually and collectively) made music as part of processing, electioneering and celebrating, as well as striking, rioting and rebelling. It examines the role of music and music-making within the walls of a range of associations and institutions. To persist with the social science construction, the book presents an analysis of those women and men who have been herded together under the rubric of reformers and radicals.

Sounds of liberty

Music, radicalism and reform in the Anglophone world, 1790–1914




All Time Past Year Past 30 Days
Abstract Views 75 28 0
Full Text Views 37 19 0
PDF Downloads 10 7 0