William Welstead
Search for other papers by William Welstead in
Current site
Google Scholar
Signs and sentiment in British wildlife art
Abstract only
Log-in for full text

This chapter is concerned with contemporary wildlife art in Britain covering the period from the formation of the Society of Wildlife Artists (SWLA) in 1964 to the present time. Over that time a considerable body of work has been produced by SWLA artists and exhibited in the Society's annual exhibitions. The chapter considers the relevance of this creative work in ecocritical discourse, both in collaboration with literary and other creative genres and considered in its own right. It explores the way that wildlife artists navigate the twin pulls of science and art in the context of the task of ecocritics to read cultural works with and against discourses from ecology and environmental science. Ecocritics are increasingly interested in the potential for biosemiotics to illuminate ecocritical discourse. The chapter concludes that wildlife art is a rich body of work that would merit further investigation by ecocritics.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.


Extending ecocriticism

Crisis, collaboration and challenges in the environmental humanities


All Time Past Year Past 30 Days
Abstract Views 176 78 4
Full Text Views 45 14 2
PDF Downloads 29 9 2