Kathleen M. Vernon
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The voice of comedy
Gracita Morales
in Performance and Spanish film
Chapter DOI:
https://doi.org/10.7765/9781526107732.00010
Online Publication Date:
07 Nov 2016
Abstract only
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This chapter analyses the typification and standardisation of the voice in Spanish cinema, which is argued as the result of a long history of film dubbing, with its strict codification of vocal types according to gender and role. This practice has resulted in a series of unwritten rules and expectations that continue to shape and restrict the kinds of voices that Spanish audiences hear on screen. Under these norms, while non-standard voices may be permitted and are even cultivated for comic and character parts, leading roles continue to demand what the chapter calls the ‘phonogenic’ expression of unproblematically feminine and masculine identities. With her unmistakable, high-pitched voice, the chapter shows how Gracita Morales was inevitably slotted into supporting roles, her child-like affect and lack of verbal inhibition put to classic comic ends as weapons used to skewer the pretensions of a would-be upwardly mobile and modernizing middle class. Despite being categorised in this manner, Gracita Morales become an example of what Kathleen Rowe calls ‘unruly women’, female comics who by talking back and laughing loudly claim their right to a traditionally male privilege, thereby challenging the notion of comedy as a male-dominated genre.
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eISBN:
9781526107732
Publisher:
Manchester University Press
Cover Performance and Spanish film
Subjects:
Film, Media and Music
Page Count:
20
Publisher:
Manchester University Press

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Cover Dance and politics

Dance and politics

Moving beyond boundaries

Author:
Dana Mills

Book

Publication History:

Online Publication Date:
21 Nov 2016
Subjects:
  1. Film, Media and Music
Available In:
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Dance has always been a method of self- expression for human beings. This book examines the political power of dance and especially its transgressive potential. Focusing on readings of dance pioneers Isadora Duncan and Martha Graham, Gumboots dancers in the gold mines of South Africa, the One Billion Rising movement using dance to protest against gendered violence, dabkeh in Palestine and dance as protest against human rights abuse in Israel, the Sun Dance within the Native American Crow tribe, the book focuses on the political power of dance and moments in which dance transgresses politics articulated in words. Thus the book seeks ways in which reading political dance as interruption unsettles conceptions of politics and dance.

Cover Tony Garnett

Tony Garnett

Author:
Stephen Lacey

Book

Publication History:

Online Publication Date:
19 Jul 2013
Subjects:
  1. Film, Media and Music
Available In:
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This is a book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the ‘must-see’ series in the 1990s and 2000s such as This Life and The Cops, Tony Garnett has produced some of the most important and influential British television drama. This book charts his career from his early days as an actor to his position as executive producer and head of World Productions, focusing on the ways in which he has helped to define the role of the creative producer, shaping the distinctive politics and aesthetics of the drama he has produced, and enabling and facilitating the contributions of others. Garnett's distinctive contribution to the development of a social realist aesthetic is also examined, through the documentary-inspired early single plays to the subversion of genre within popular drama series.
Cover Theorising Media

Theorising Media

Power, form and subjectivity

Author:
John Corner

Book

Publication History:

Online Publication Date:
19 Jul 2013
Subjects:
  1. Film, Media and Music
Available In:
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This book explores how issues of power, form and subjectivity feature at the core of all serious thinking about the media, including appreciations of their creativity as well as anxiety about the risks they pose. Drawing widely on an interdisciplinary literature, the author connects his exposition to examples from film, television, radio, photography, painting, web practice, music and writing in order to bring in topics as diverse as reporting the war in Afghanistan, the televising of football, documentary portrayals of 9/11, reality television, the diversity of taste in the arts and the construction of civic identity. The book is divided into two parts. In the first part, three big chapters on each of the key notions provide an interconnected discussion of the media activities opened up for exploration and the debates they have provoked. The second part presents examples, arguments and analysis drawing on the author's previous work around the core themes, with notes placing them in the context of the whole book. The book brings together concepts both from Social Studies and the Arts and Humanities, addressing a readership wider than the sub-specialisms of media research. It refreshes ideas about why the media matter, and how understanding them better remains a key aim of cultural inquiry and a continuing requirement for public policy.