Themes and variation
Films since 2000
in Robert Guédiguian
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This chapter examines the thematic variety of Guédiguian’s work since the 2000, starting with the dystopian La ville est tranquille. It deepens the analysis of friendship, the non-consanguine family, national identity, and evolutions in economic oppression (mainly the new precariat class). It investigates new directions, such as Guédiguian’s interest in his Armenian identity in Voyage en Arménie. The chapter also investigates some of the longer-term effects of Guédiguian’s basic project.


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