Robert Guédiguian

Joseph Mai
Search for other papers by Joseph Mai in
Current site
Google Scholar

This book provides a comprehensive account of Robert Guédiguian’s numerous films since 1980, combining stylistic analyses with historical, political, and generic context. More importantly, it makes the case that Guédiguian’s work represents one of the most discretely original but radical projects of contemporary French cinema: to make politically committed films with friends, predominately in a local space, over a long period of time. The book starts with a consideration of the philosophy of friendship and its relation to politics, relation, difference, time, and space. It concentrates on Guédiguian’s early life in the Estaque neighbourhood of Marseilles, where he became politically active and developed the friendships that would continue in his filmmaking, as well as Guédiguian’s disillusionment with the Communist Party. It then examines the political pessimism of the 1980s through Guédiguian’s four early films. The book examines the turn toward local activism and utopianism in the 1990s, and follows Guédiguian’s work as it spreads into diverse experimentation with genres and registers in more recent work. It emphasises Guédiguian’s political assessments and his frequent meditations on history, violence, and utopia. But it returns consistently to the underlying themes of friendship, and thus intervenes at the crossroads of affect, politics, philosophy, and art.

Abstract only
Log-in for full text


‘With the excellence of his scholarship, his judicious but accessible use of theory, his thorough knowledge of context and his careful eye for detail, Mai has written a book that will be a key reference on the director for years to come.'
Martin O'Shaughnessy, Nottingham Trent University
H-France Review, Vol. 18, No. 24
January 2018

  • Collapse
  • Expand

    • Full book download (PDF with hyperlinks)
All Time Past Year Past 30 Days
Abstract Views 592 99 2
Full Text Views 490 60 0
PDF Downloads 963 142 1