‘Madly mated’
The Taming of the Shrew and odd-couple comedy
in Shakespeare’s cinema of love
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As a satirical or native English comedy, The Taming of the Shrew has been contentious in modern times for its inescapable patriarchal assumptions, but also extremely popular on stage and screen. However, there have been periodically ingenious solutions to the cultural problems which are visible in movies. During the 1930s strong, independent women were cast in ‘screwball comedies’ in which they were more than a match for the men, while later versions of the same kind of genre based on The Shrew made when feminism was developing present a different kind of antagonistic dynamic between a strong woman and strong man. This chapter traces these and other versions of ‘madly mated’ people who become marriage partners.

Shakespeare’s cinema of love

A study in genre and influence

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