Method, madness and montage
Assemblages of images and the production of knowledge
in Image operations
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This chapter surveys assemblages of images in the context of art history, anthropology, cinematic production, surveillance, and forensic science. The aim is to uncover both the logic and the flirtation with the a-logical and symptomatic in metapictures of pictorial totalities.

Image operations

Visual media and political conflict

Editors: Jens Eder and Charlotte Klonk

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