Bad English
in Bad English
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

Starting with Vahni Capildeo’s poetry, and also considering Sam Selvon’s novels and short stories, the Introduction suggests how writers’ everyday experiences of multilingualism give form to their work and how English signifies as a language of power and exclusion in their writing, but also as a form of language open to critical reshaping. Turning to think about the politics of language as a context for literature, it considers how English has been asserted and contested as a signifier of national belonging in Britain, in political and popular discourses, in education and debates over citizenship throughout the past 50 years – from Enoch Powell to the aftermath of the 2011 riots. The Introduction surveys scholarship on literary multilingualism and argues for the value of bringing together writers diverse in race, class, and ethnicity under the rubric of ‘bad English’.


All Time Past Year Past 30 Days
Abstract Views 6 6 6
Full Text Views 0 0 0
PDF Downloads 0 0 0