Victoria Bladen
Search for other papers by Victoria Bladen in
Current site
Google Scholar
Shakespeare’s political spectres
in Shakespeare and the supernatural
Abstract only
Log-in for full text

In Shakespeare’s England, ghosts were problematic, associated with Catholic ideas about Purgatory. However, ghosts proved popular on the early modern stage, and in Shakespeare’s plays the throne is a particularly haunted space. In Hamlet, Julius Caesar, Richard III and Macbeth, political leaders encounter ghosts who had held power themselves or who were murdered as part of the brutal process of obtaining political power. Ghosts not only unsettle the boundary between life and death in these plays but also question monarchs’ positions, undermining assumptions of legitimacy. Pursuant to the theory of the king’s two bodies, the spirit of divine kingship passed seamlessly to the next legitimate ruler, but in cases of rupture, where power did not legitimately pass, the spirit of ‘authentic’ monarchy could be left disembodied, thus constituting a spectral presence displaced from the political body. Shakespeare was intensely interested in cases of rupture. This chapter explores the ghosts in these four plays, examining how they haunt political spaces, and resonate with the additional spectre, the second ghost, of the disembodied, legitimate ruler.

  • Collapse
  • Expand


All Time Past Year Past 30 Days
Abstract Views 358 89 2
Full Text Views 8 0 0
PDF Downloads 11 1 0