Louise Pears
Search for other papers by Louise Pears in
Current site
Google Scholar
PubMed
Close
Telling terrorism tales
Narrative identity and Homeland
Abstract only
Log-in for full text

Drawing on narrative theory, this chapter bridges understandings of security, popular culture and identity to show how stories matter. It argues that television shows are a site where gendered, raced, and nationalised identities are narrated, and particular subjectivities created. It applies this critical narrative approach to an analysis of the television series Homeland, a popular drama that tracks the efforts of the CIA to thwart the latest terrorist threat to America. This analysis considers both the meaning within Homeland and the process of meaning-making by members of the show’s British audience; in doing so, it moves away from understanding audiences as passive consumers of ideological messages contained in texts, to understanding how audiences negotiate their understanding of the show and themselves. It also considers how these terrorism stories articulate gendered and racialized boundaries of inclusion and exclusion. This links security and identity, politics and culture, texts and audiences. Although it demonstrates the articulation of identity within security stories, it also draws attention to ways that audiences can resist those identities.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

The politics of identity

Place, space and discourse

Editors: and

Metrics

All Time Past Year Past 30 Days
Abstract Views 546 130 10
Full Text Views 77 32 0
PDF Downloads 66 17 0