Brian McFarlane
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in Four from the forties
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Arliss, Crabtree, Knowles and Huntington, more or less overlapping in age and most productive periods, offer an insight into what sort of fare constituted popular film-making, especially in the 1940s. They arrived at their most prolific period by different routes, but as their popularity waned there are some striking similarities in the ways in which they sought to maintain their careers.

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