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Arthur Crabtree
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Having established himself as a capable cinematographer in the 1930s, working on such films as Michael Powell’s The Love Test (1953), Arthur Crabtree began his directing career with Madonna of the Seven Moons (1947), a Gainsborough melodrama starring Phyllis Calvert and Stewart Granger. His subsequent films of the 1940s included They Were Sisters (1945), Caravan (1946) and Quartet (1948). In the early 1950s he directed a pair of films based on the popular German love song ‘Lili Marleen’, but found himself out of kilter with such prevailing genres as wartime adventures or domestic comedies. The rest of the decade was characterised by unrewarding television work and a late-career sortie into the horror genre via Fiend without a Face (1958) and Horrors of the Black Museum (1959).

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