Dympna Callaghan
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This conclusion presents some closing thoughts on the concepts discussed in the preceding chapters of this book. The book examines how early moderns linked the fate of the insistently feminised Jerusalem to that of plague-ridden London, known by the start of the seventeenth century as a metropolis, the mother city. In contrast to the definitively masculine anxiety, the book investigates the dynamics of supplication. The book argues for the degree to which the Whore of Babylon in early modern England had captivated Protestant exegetes. It demonstrates that early modern exegetes had a hard time distinguishing between a heroic woman and one who was simply 'froward', mendacious and insubordinate. The book also examines how the proscribed prayer persisted, especially among male lyricists Jonson, Constable and Verstegen. It discusses what was to be done with Catholic tropes that had infused the culture but were now officially proscribed.

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