Vision and desire
Fantastic Renaissance spectacles
in Gothic Renaissance
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Beate Neumeier focuses on ghostly apparitions and monstrous creatures like witches and devil-dogs in Renaissance plays from Shakespeare’s Hamlet, Macbeth and The Winter’s Tale to Webster’s Duchess of Malfi, Middleton’s Changeling, and Rowley, Dekker, and Ford’s The Witch of Edmonton. Drawing on Todorov’s concept of the fantastic and Kristeva’s notion of the abject, she focuses on the nexus between cognitive and affective uncertainties in conjunction with a historical analysis of the impact of notions of vision, death and desire for the negotiation of early modern boundaries between spirit and matter, the human and the non-human and its gendered implications in connection to the emergence of tragicomedy as a hybrid genre.

Gothic Renaissance

A reassessment

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