Feeling and sentiment
in Reading poetry
Abstract only
Log-in for full text

Feelings can only be implied by lines of poetry, and have to be taken on trust by the reader, for there is no way of knowing whether the sentiments professed are actually felt by the claimant or not. The example of the poetic representation of feeling is an early poem by Lee Harwood, who was influenced by the methods of the New York poets of the mid-twentieth century. The three levels of feeling within the poem are brought to light by the considered act of viewing and re-viewing the poem from the standpoint of these three different forms of feeling. They are, firstly, the pain of bereavement and loss, secondly, the continuing sense of loss of selfhood which is the consequence of his blindness, and finally, the sexual deprivation which is the result of the poet's widowhood.


All Time Past Year Past 30 Days
Abstract Views 26 6 0
Full Text Views 25 1 0
PDF Downloads 21 1 0