Folk devils and moral panics
Women and youth across a century of censure
in Women drinking out in Britain since the early twentieth century
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

Stanley Cohen established the concept of moral panic in 1972 (Folk Devils and Moral Panics: The Creation of the Mods and Rockers), and subsequently diverse scholars have explored its relevance for different periods. Seven traits characterized moral panics: public concern; hostility; public consensus; exaggerated response; volatility; introspective soul-searching; and perception of the deviant behaviour as symptomatic of a broader malaise. Further research emphasized that moral panics were not monolithic, but comprised different types: grassroots; elite; and enforcement of existing laws. Throughout the twentieth century, women and youth became the focus of moral panics in the Boer War, World Wars I and II, the early 1950s and binge drinking several decades later. Review of these moral panics show how women who moved beyond existing gender spatial boundaries provoked criticism and escalating anxiety, culminating in the demonizing of offenders as “folk devils.”

Metrics

All Time Past Year Past 30 Days
Abstract Views 43 12 1
Full Text Views 25 0 0
PDF Downloads 17 0 0