Emma Robinson-Tomsett
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Journeying abroad was not always presented as an innate, natural female activity between 1870 and 1940. Several key themes dominated the female journey abroad in this period. Journeys by both ship and train were an experience of sociability as much as they were of mobility. Etiquette writers emphasized the importance of women's role as social arbiters. Wealthy women could enter journey spaces that were supposedly masculine spaces and assert their authority over male staff. The journey abroad was gendered, but gender combined with women's socio-economic background, wealth and position in the passenger-class/journeyer hierarchy determined the nature of their experience. The journey(er) gaze was also gendered in one particular aspect. In her essay on the spectator and the cinema, Laura Mulvey utilized Sigmund Freud's psychoanalytic definition of gazing as socophilic.

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Women, travel and identity

Journeys by rail and sea, 1870–1940

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