‘Practice-led’
Producing art, producing art history
in Productive failure
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This chapter explores Mixing It Up, the general and cultural marketing of the Gay Village relative to Curry Mile and the notion of 'practice-led' research and how it relates to writing transnational South Asian art histories. Sangam's involvement in Mixing It Up marked the first queer art project in Curry Mile, according to McCormick. The Gay Village is also not part of the Oxford Road Cultural Corridor (ORC), and Canal Street is not even physically a continuation of Oxford Road like Curry Mile. In comparison to Curry Mile, Manchester marketing brochures give the Gay Village a metonymically privileged position. Marketing Manchester is also one of the principle backers of Manchester's Pride parade, held in and around the Gay Village. During the 1990s and early 2000s, a confluence of factors spurred the city of Manchester to embark on a massive project of civic regeneration tied to various cultural projects.

Productive failure

Writing queer transnational South Asian art histories

Metrics

All Time Past Year Past 30 Days
Abstract Views 36 7 0
Full Text Views 28 6 0
PDF Downloads 4 0 0