Steffen Hantke
Search for other papers by Steffen Hantke in
Current site
Google Scholar
Gothic meltdown
German nuclear cinema in neoliberal times
in Neoliberal Gothic
Abstract only
Log-in for full text

Compared to the number of films devoted to nuclear war, the catastrophic nuclear accident never acquired its own cinematic genre. Disaster films about civilian nuclear accidents would seem perfectly poised to serve that function to nuclear power as a technology emblematic of recent neoliberal politics. This chapter examines three films in order to explore this hypothesis about the confluence of gothic representations and neoliberal politics within the realm of nuclear power. The films discussed include Gregor Schnitzler's Die Wolke, Andreas Prochaska's Der erste Tag, and Volker Sattel's Unter Kontrolle that that deal with nuclear power in the European context and from a uniquely German perspective. Die Wolke and Der erste Tag project the abolition of nuclear power into an imaginary future, either as the democratically desired result of the lesson learned from history or as the inevitable outcome of economic and political strictures.

  • Collapse
  • Expand

Neoliberal Gothic

International Gothic in the Neoliberal Age


All Time Past Year Past 30 Days
Abstract Views 146 18 1
Full Text Views 56 0 0
PDF Downloads 28 1 0