The stranger

Performing ‘out- of- placeness’ in the UK and Europe

in Queer exceptions
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Building on scholarship concerning migration and exile, this chapter deploys the figure of the stranger in reading solo works in and around the border regimes of the UK and EU. If – as Sara Ahmed suggests – stranger recognition involves (often unmarked) assumptions about which bodies belong and which are out of place, performance interventions in and around border regimes bring such beliefs to light while demonstrating how misrecognition and uncertainty are preserved as technologies of control. Though associated with cosmopolitan fantasies of mobility and hospitality, the stranger allows us to follow how a selective distribution of legitimacy serves to limit access to Western Europe’s territories of wealth.

Featured practitioners: Kay Adshead, Zodwa Nyoni, Oreet Ashery, Nassim Soleimanpour, Tanja Ostojić.

Queer exceptions

Solo performance in neoliberal times



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