Stained glass as propaganda
in Windows for the world
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Chapter 5 discusses how the exhibition environment stimulated new iconographies and meanings in stained glass. Using a number of examples it demonstrates how the stained glass exhibits reflected, and influenced, some of the global political themes of the nineteenth-century exhibitions: nationalism, imperialism, and human variety. This chapter makes an important intervention in stained glass studies by considering, for the first time, the role of stained glass in the formation of racial and ethnic stereotypes to both emphasise human variety and reinforce social hierarchies. It also considers the influence of non-western culture and religions on the development of stained glass.

Windows for the world

Nineteenth-century stained glass and the international exhibitions, 1851– 1900

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