Refracted visions
Street photography, humanism and the loss of innocence
in Tracing the cultural legacy of Irish Catholicism
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

Justin Carville draws on recent debates in relation to photography and the everyday in order to examine the role of street-photography in the cultural politics of religion as it was played out in the quotidian moments of social relations within Dublin’s urban and suburban spaces during the 1980s and 90s. The essay argues that photography was important in giving visual expression to the social contradictions within the relations between religion and the transformation of Irish social life, not through the dramatic and traumatic experiences that defined the nation’s increased secularism, but in the quiet, humdrum and sometimes monotonous routines of religious ceremonies and everyday social relations.

Tracing the cultural legacy of Irish Catholicism

From Galway to Cloyne and beyond


All Time Past Year Past 30 Days
Abstract Views 49 12 1
Full Text Views 29 2 0
PDF Downloads 11 0 0