Engineering the human soul in 1950s Indonesia and Singapore
in Art, Global Maoism and the Chinese Cultural Revolution
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Simon Soon’s chapter discusses the development of leftist art discourses in Singapore and Indonesia by examining a selection of manifestos and texts alongside artworks. Close readings unearth oblique references to Talks at the Yan’an Forum on Literature and Art, which enabled artists to open new ways beyond the autonomy of art in the shadow of the 1955 Bandung conference.

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