Curating across the colonial divides
in Curatopia
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Rooted in specific cases and in the author’s background of working across the colonial divides of museums in Europe and in Aotearoa New Zealand, this chapter explores the continued colonial and supremacist default position of ethnographic museum collections in Europe. Whereas in, for instance, Aotearoa New Zealand and the United States, a focused pressure by indigenous and other unrepresented and underrepresented communities has ensured legislative frameworks that recognise the expertise, authority and rights to self-representation of the people with an original cultural connection to the given objects, museums holding global collections in Europe are still working in an ethical void which permits a continued denial and disavowal of the implication of colonialism. Whiteness is, in James Baldwin’s term, a moral choice – and a choice still practised by museums, when they prefer token projects of diversity and the delegitimisation and marginalisation of alternative epistemologies and museological principles to a systematic process of self-reflection and decolonisation, which actively embraces present accountability for historic wrongs, and thereby enables the museum to address urgent, current global issues and conflicts.

Curatopia

Museums and the future of curatorship

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