Thinking and working through difference
Remaking the ethnographic museum in the global contemporary
in Curatopia
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This ambitious chapter draws on a range of voices to examine what the ethnographic museum is and what it can be for the benefit of diverse audiences around the world. Taking their 2013 publication Museum and Communities: Curators, Collections: Collaborations as a starting point, the authors critically consider their own work internationally, for example with ICOM (The International Council of Museums) and ICOM Namibia, as well as at everyday level with local communities, such as youth groups in Europe. Against increasing fear of difference, and movements to the right in world politics, they foreground the values of human rights, artist collaborations and the development of feminist pedagogy in museum work. Theoretically, the chapter unpacks the notions of the ‘human’, the ‘cosmopolitan’ and the inextricable relation between theory and practice that can underpin collaborative activities in museums of ethnography and world culture today.


Museums and the future of curatorship


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