Neolithic cave burials

The dynamic processes of knowledge production in archaeology and elsewhere in the humanities and social sciences are increasingly viewed within the context of negotiation, cooperation and exchange, as the collaborative effort of groups, clusters and communities of scholars. Shifting focus from the individual scholar to the wider social contexts of her work, this volume investigates the importance of informal networks and conversation in the creation of knowledge about the past, and takes a closer look at the dynamic interaction and exchange that takes place between individuals, groups and clusters of scholars in the wider social settings of scientific work. Various aspects of and mechanisms at work behind the interaction and exchange that takes place between the individual scholar and her community, and the creative processes that such encounters trigger, are critically examined in eleven chapters which draw on a wide spectrum of examples from Europe and North America: from early modern antiquarians to archaeological societies and practitioners at work during the formative years of the modern archaeological disciplines and more recent examples from the twentieth century. The individual chapters engage with theoretical approaches to scientific creativity, knowledge production and interaction such as sociology and geographies of science, and actor-network theory (ANT) in their examination of individual–collective interplay. The book caters to readers both from within and outside the archaeological disciplines; primarily intended for researchers, teachers and students in archaeology, anthropology, classics and the history of science, it will also be of interest to the general reader.

This volume discusses the history, culture and social conditions of one of the less well-known periods of ancient Egypt, the Saite or 26th Dynasty (664–525 BC). In the 660s BC Egypt was a politically fragmented and occupied country. This is an account of how Psamtek I, a local ruler from Sais in northern Egypt, declared independence from its overlord, the Assyrian Empire, and within ten years brought about the reunification of the country after almost four hundred years of disunity and periods of foreign domination. Over the next century and a half, the Saite rulers were able to achieve stability and preserve Egypt’s independence as a sovereign state against powerful foreign adversaries. Central government was established, a complex financial administration was developed and Egypt’s military forces were reorganised. The Saites successfully promoted foreign trade, peoples from different countries settled in Egypt and Egypt recovered a prominent role in the Mediterranean world. There were innovations in culture, religion and technology, and Egypt became prosperous. This era was a high-achieving one and is often neglected in the literature devoted to ancient Egypt. Egypt of the Saite Pharaohs, 664–525 BC reveals the dynamic nature of the period, the astuteness of the Saite rulers and their considerable achievements in the political, economic, administrative and cultural spheres.

What is the future of curatorial practice? How can the relationships between Indigenous people in the Pacific, collections in Euro-American institutions and curatorial knowledge in museums globally be (re)conceptualised in reciprocal and symmetrical ways? Is there an ideal model, a ‘curatopia’, whether in the form of a utopia or dystopia, which can enable the reinvention of ethnographic museums and address their difficult colonial legacies? This volume addresses these questions by considering the current state of the play in curatorial practice, reviewing the different models and approaches operating in different museums, galleries and cultural organisations around the world, and debating the emerging concerns, challenges and opportunities. The subject areas range over native and tribal cultures, anthropology, art, history, migration and settler culture, among others. Topics covered include: contemporary curatorial theory, new museum trends, models and paradigms, the state of research and scholarship, the impact of new media and current issues such as curatorial leadership, collecting and collection access and use, exhibition development and community engagement. The volume is international in scope and covers three broad regions – Europe, North America and the Pacific. The contributors are leading and emerging scholars and practitioners in their respective fields, all of whom have worked in and with universities and museums, and are therefore perfectly placed to reshape the dialogue between academia and the professional museum world.