Vague post-punk memoirs, 1979–89
in Ripped, torn and cut
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact for pricing options.


If you have an access token for this content, you can redeem this via the link below:

Redeem token

Tom Vague produced on of (post-)punk’s most notable fanzines, Vague. Here Vague recalls the rationale for his fanzine, the processes he went through to produce it and the shifting historical and cultural context the informed the content.

Ripped, torn and cut

Pop, politics and punk fanzines from 1976


All Time Past Year Past 30 Days
Abstract Views 1262 37 6
Full Text Views 111 0 0
PDF Downloads 48 1 0