in A savage song
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Examining the racialized discourses of the “illegal” alien and the Watts uprising, this concluding reflection will examine how early twentieth-century constructions of violence and masculinity were reconfigured in later decades but in ways that reiterated the enduring themes of savagery, death, and punishment.

A savage song

Racist violence and armed resistance in the early twentieth-century U.S.–Mexico borderlands


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