Globalisation-from-above and globalisation-from-below
in Migration into art
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This chapter seeks to draw up an outline of how 'globalisation' and 'migration' have been articulated in Western discussions of contemporary art since the 1990s, and how the two discourses intersect: 'art and globalisation' and 'art and migration'. Since the 1990s, terms such as 'global art', 'the global contemporary' and 'the global art world' have become a staple of mainstream art discourses. Thus, Jonathan Harris begins his introduction to the anthology Globalization and Contemporary Art by comparing 'globalisation' to the well-established terms 'modernism' and 'renaissance'. As opposed to the emphasis on globalisation-from-above in the discourse on contemporary art and globalisation, globalisation-from-below takes centre stage in the discourse on contemporary art and migration. Here, nodal points such as migration, diaspora, exile, refugeedom, displacement, precarity, subalternity, cosmopolitanism, cultural translation, creolisation and migratory aesthetics push globalisation into the background.

Migration into art

Transcultural identities and art-making in a globalised world

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