Anne Ring Petersen
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The politics of identity and recognition in the ‘global art world’
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This chapter examines the historical role and impact of the postcolonial position in greater detail, firstly by analysing its underlying notion of cultural identity as well as its institutional critique. Secondly, by tracing how this critique has paved the way for greater recognition of artists from non-Western diasporas in an increasingly globalised art world. The chapter aims to work through the binarisms and simplifying categorisations of classic identity politics in the visual arts. In the discourse on cultural identity in relation to contemporary art, the most frequently used term is not 'cultural identity', although cultural identity and identity politics are clearly the issue. The blind spots in the critique of Westernism remind us of the need for more complexity-sensitive methods and theories in the field of art history and art criticism.

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Migration into art

Transcultural identities and art-making in a globalised world

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