The artist as migrant worker
in Migration into art
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When contemporary art became a market phenomenon in the major metropolitan centres during the 1990s, it was expanded, but also, at the same time, divided, by an influx of art from other regions of the world. It is important to remember that the workings of the global art world affect not only artists from non-Western countries, but also those in Western countries with a well-functioning art-institutional infrastructure as well. To use the phraseology of the literary scholar Sudesh Mishra, the sociocultural condition of a migrant can be seen as a 'scene of dual territory'. This chapter argues that the migratory pattern of artists, who have chosen to be based in their home country, but must live as globetrotters and engage with different cultures and places in order to pursue international careers, could best be described as circular migration.

Migration into art

Transcultural identities and art-making in a globalised world

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