Identification, disidentification and the imaginative reconfiguration of identity
in Migration into art
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This chapter presents close readings of works by the London-based Nigerian expatriate Yinka Shonibare, Delhi-based British expatriate Bharti Kher, and Vietnamese-born Danh Vo, who grew up in Denmark and then became a resident of Mexico City. It describes that Amelia Jones specifically refrains from devoting herself to interrogating the relationship of identity politics to developments in contemporary art. She reminds us that Art is always about identification. Identification evolves as a dynamic and reciprocal process that occurs between viewers, bodies, images and other kinds of visual representations and media. The chapter traces some of the ways in which the altered experience of subjectivity has begun to shape identifications differently, so that older ways of thinking about identity in terms of binary oppositions no longer resonate in quite the same way.

Migration into art

Transcultural identities and art-making in a globalised world


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