Introduction
Once more, with feeling
in Critical theory and feeling
Abstract only
Get Access to Full Text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Access Tokens

If you have an access token for this content, you can redeem this via the link below:

Redeem token

This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book begins by revisiting some of the founding tenets of critical theory in the context of the establishment of the Institute for Social Research in the early twentieth century. After charting the history of melancholy, it focuses on the work of Walter Benjamin, whose varied engagements with the subject of melancholia prove to be far more mobile and complex than traditional accounts. The book looks at how an affective politics underpins critical theory's engagement with the world of objects. It explores the affective politics of hope. The book outlines the upsurge in theoretical writing on objects/things, especially within the much-touted field of 'object-oriented ontology' (OOO) or 'speculative realism' (SR).

Critical theory and feeling

The affective politics of the early Frankfurt School

INFORMATION
TABLE OF CONTENTS
METRICS

Metrics

All Time Past Year Past 30 Days
Abstract Views 43 20 0
Full Text Views 43 30 0
PDF Downloads 17 14 0
RELATED CONTENT