J.S. Bratton
Search for other papers by J.S. Bratton in
Current site
Google Scholar
PubMed
Close
British heroism and the structure of melodrama
Abstract only
Log-in for full text

Most cultures have a place for the concept of heroism, and for the heroic figure in narrative fiction; stage heroes are part of the drama's definition of self, the exploration and understanding of personal identity. Melodrama presents conflicts and attitudinal complexities without recourse to intellectual frames of reference; this is what is happening in the heroic melodramas concerned with imperialist themes. G. D. Pitt's play First Friendship; or, a Soldier's March from the Cradle to the Grave offers three heroic stereotypes, apparently mutually exclusive, but all in fact contributing to a self-image for the working-class imperial servant. In the melodrama, the glorification of British fighting men, Henry V's 'happy few', was given a focus in the generic figure of Jack Tar, as recognisable as a king in his uniform, and as distinctive in his known attributes.

  • Collapse
  • Expand

All of MUP's digital content including Open Access books and journals is now available on manchesterhive.

 

Acts of supremacy

The British Empire and the stage, 1790–1930

Metrics

All Time Past Year Past 30 Days
Abstract Views 821 228 14
Full Text Views 87 6 0
PDF Downloads 52 9 0