In the wake
in The never-ending Brief Encounter
Chapter DOI:
https://doi.org/10.7765/9781526124418.00010
Online Publication Date:
28 Aug 2019
Abstract only
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In the disastrous 1974 remake of Brief Encounter, almost every aspect goes wrong. The casting of glamorous international stars reduces the sense of ordinary people facing emotional conflict, and the structural change also undermines this. The short gay take on the original, Flames of Passion, offered a wordless version, which found some festival favour but not general release.

eISBN:
9781526124418
Publisher:
Manchester University Press
Cover The never-ending Brief Encounter
INFORMATION
Subjects:
Film, Media and Music
Keywords:
British cinema; 1940s; restraint; passion; middle class; comedy; railway stations; descendants; quotations; echoes
Page Count:
(132 total)
Publisher:
Manchester University Press
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Publication History:

Online Publication Date:
30 Jul 2018
Subjects:
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This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book considers memory as a specific framework for the study of popular film, intervening in growing debates about the status and function of memory in cultural life and discourse. It examines the relationship between official and popular history and the constitution of memory narratives in and around the production and consumption of American cinema. The book explores the political stakes of cinematic discourse in its production of national memory. It also examines the discursive and institutional apparatus that has come to support the memory of Classic Hollywood in British cultural life. The book also considers both the presence of music and colour in nostalgia films of the 1990s and the impact of digital and video technologies on the representational determinants of mediated memory.