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In the wake
in
The never-ending Brief Encounter
In the disastrous 1974 remake of Brief Encounter, almost every aspect goes wrong. The casting of glamorous international stars reduces the sense of ordinary people facing emotional conflict, and the structural change also undermines this. The short gay take on the original, Flames of Passion, offered a wordless version, which found some festival favour but not general release.
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Far from being cinematically backward, 1950s British film had dashes of imagination that outdid more famous or prestigious examples from the cinematic canon. In his contribution to this book, Dave Rolinson, particularly in his recovery of the neglected The Horse's Mouth, aptly draws attention to a sharper edge to 1950s British film comedy than is always acknowledged. British film of this period is not often credited with that kind of audacity or comic cheek. The comedy is often characterised as postcard or parochial, with the likeable but limited registers of, say, Henry Cornelius's Genevieve or Basil Dearden's The Smallest Show on Earth being typical of the range. Again a classic image from 1950s British cinema would be Jack Hawkins in The Cruel Sea, the epitome of quiet English integrity.