Jonathan Bignell
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Editors’ introduction
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This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book provides resources for critical thinking about key aspects of television drama in Britain since 1960, including institutional, textual, cultural and audience-centred modes of study. Helen Wheatley's analysis of Rebecca, The Wyvern Mystery and The Woman in White distinguishes the gendered concerns of the Gothic as a mode that encompasses literary and cinematic realisations of narratives that reflect on the politics of domesticity. The book emphasises the relationships between the television drama text and its contexts of production and viewing. It investigates how the programme's production and realisation negotiated the possibilities that television offered for realising both conventional 'pulp fiction' monster stories and the aspirational claims for 'serious' speculative and educational drama in science fiction.

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