Paradigms of metamorphosis and transmutation
Thomas Edison’s Frankenstein and John Barrymore’s Dr Jekyll and Mr Hyde
in Monstrous adaptations
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Two great works of fiction at opposite ends of the nineteenth century continue to be paradigms of horror with the concept of 'adaptation' at their heart. They are Mary Shelley's Frankenstein, or the Modern Prometheus and Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde. Both present mad scientists who experiment with adaptation in the sense of metamorphosis and transmutation. This chapter looks at the Thomas Edison Company's Frankenstein and John S. Robertson's Dr Jekyll and Mr Hyde, two intrinsically 'melodramatic' adaptations that nonetheless resonate profoundly over the subsequent legacy of popular horror culture. Film adaptations of Frankenstein would remain as the Edison studios pioneered: a monstrous adaptation reliant upon special effects for an explicit creation sequence with an actor beneath extreme make-up at its conclusion. John Barrymore was already a legendary stage actor by the time he appeared in Dr Jekyll and Mr Hyde.

Monstrous adaptations

Generic and thematic mutations in horror film

Editors: Richard J. Hand and Jay McRoy

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