Painting the life out of her
Aesthetic integration and disintegration in Jean Epstein’s La Chute de la maison Usher
in Monstrous adaptations
Abstract only
Log-in for full text

You are not authenticated to view the full text of this chapter or article.

manchesterhive requires a subscription or purchase to access the full text of books or journals - to see content that you/your institution should have access to, please log in through your library system or with your personal username and password.

If you are authenticated and think you should have access to this title, please contact your librarian.

Non-subscribers can freely search the site, view abstracts/extracts and download selected front and end matter. 

Institutions can purchase access to individual titles; please contact manchesterhive@manchester.ac.uk for pricing options.

ACCESS TOKENS

If you have an access token for this content, you can redeem this via the link below:

Redeem token

Adapted from Edgar Allan Poe's story, 'The Fall of the House of Usher', Jean Epstein's 1928 film La Chute de la maison Usher incorporates nearly all the major avant-garde trends of the previous one hundred years. It also interprets them through an early twentieth-century modernist sensibility. Ultimately, the film is a sort of cryptic and anachronistic palimpsest whose modernist tendencies exist specifically in this blending and integration of a variety of aesthetic attitudes at the service of purely formalist concerns. Epstein's theories, with their conflation of 'poetic and scientific language', would greatly influence French avant-garde cinema and Impressionist cinematic theory, in particular. The entire sequence of the film is a meticulously orchestrated progression of cinematic effects, with multiple exposures, abstract imagery, slow-motion photography and dramatic camerawork. They all operate in conjunction with the melodramatic movements of the actors to create a textured imitation of dazed mourning and grief.

Monstrous adaptations

Generic and thematic mutations in horror film

Editors: Richard J. Hand and Jay McRoy

Metrics

All Time Past Year Past 30 Days
Abstract Views 162 31 5
Full Text Views 64 19 0
PDF Downloads 11 3 0