Gothic horrors, family secrets and the patriarchal imperative
The early horror films of Mario Bava
in Monstrous adaptations
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This chapter analyses four films written and directed by Mario Bava between 1960 and 1966: La Maschera del demonio, La Frusta e il Corpo, Operazione Paura and Sei donne per l'assassino. The first three titles belong to 'the supernatural horror film', the latter to the Italian genre of the giallo. The first point worth noting is that the three examples of 'supernatural horror' are all 'period pieces', set in the nineteenth century, whereas Sei donne per l'assassino is set in the contemporary period. Since he is directing a 'period piece', Bava chooses to concentrate on questions of honour, the family, patriarchy and the selfishness of a power that goes without saying as everyone accepts it. La Frusta e il Corpo extends the notion of submission to take in the male members of the family, but the concomitant notion of adapting for the woman remains intact: now two women are unhappy.

Monstrous adaptations

Generic and thematic mutations in horror film

Editors: Richard J. Hand and Jay McRoy

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