Peter Marks
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This introduction presents an overview of the key concepts discussed in the subsequent chapters of this book. The book shows that Terry Gilliam sometimes enjoyed a remarkable degree of financial support and creative freedom, especially with films linked to Monty Python. Gilliam employs an extraordinary variety of genres: medieval comedy; children's historical adventure; dystopian satire; the fantastic voyage; science fiction; Gonzo Journalism; fairy tale; and gothic horror. Peter Greenaway speaks of admiring Gilliam and fellow Python Terry Jones for their anarchy and irreverence. Derek Jarman puts 'glorious Terry Gilliam's Brazil' on a very short list of British 1970s and 1980s films he would keep. Gilliam's American work in the 1990s determines that he does appear in British Cinema of the 90s. The book argues the centrality of hybridity to Gilliam's films.

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